FantasyNames.io

Voodoo Doll Name Generator

A stitched burlap poppet with button eyes rises from a clay pot of pins in a green-lit cellar.
CCXCVIII
Pinned Dolls of Back Rooms

Press Generate to draw a name.

Pupa spinicola

Danger
Size
9 inches
Activity
Nocturnal

Name generator

Press Generate to draw a name.

Gender
Length

Kindred Arcana

Voodoo Doll names and their meanings

Select a name to copy it. Every name below is free to use.

Clipped Nub

A short worn-down fragment of a maker's or victim's name, said quietly.

Stitch Name

A name drawn from the sewing trade, such as a seam, needle or thread.

Household Epithet

A plain name given by the family that keeps it, tied to the room it haunts.

Elder Doll

A long, dry name for a doll that has outlasted several owners.

How voodoo doll names are made

Names for these dolls are given by whoever sews or inherits them, and they sound like something muttered over a workbench. The sound palette leans on soft, dull consonants (m, n, b, d) set against a few sharp ones (k, t, p) that suggest a pin going in. Vowels are short and closed. Most names run one or two syllables, with a three-syllable form reserved for dolls that have outlasted their makers. Structure is usually a single name, sometimes followed by a plain household epithet drawn from the place the doll was found: the cellar one, the window one. Sources are trade and ancestry: a stitch, a scrap of cloth, the name of the person the doll was first made to resemble, clipped to a nub.

Names are never spoken at night and are rarely written down. Full human names are avoided because they are thought to attach the doll to a living person. Pet names and kitchen diminutives are also avoided, since the doll is said to resent them. Older dolls take longer, drier names; newly sewn ones get a short blunt syllable. Shapes: a clipped nub, a stitch word plus place, a worn-down family name.

The voodoo doll: bestiary entry

The pins are the first thing found. They lie in a drift beneath the sill of the east window at Saint Wennock's Row, forty or fifty of them, each bent at the same angle, as though something had pushed them out from inside and then stepped politely aside. The sill itself is clean. The pins are rusted to the color of dried cider. The doll is a poppet of burlap and sailcloth about the length of a man's forearm, stuffed with sawdust, grave moss and what smells like cedar. It has a seam down the middle of its face that does not quite meet. Its eyes are two black shirt buttons sewn at different heights, and the left one is always damp. It does not walk when watched. It is found elsewhere in the house afterward, one room nearer the sleeper.

Three accounts, set side by side. Marguerite Delacroix-Ames, who keeps the chandler's shop on the Row, says the doll arrived in a bread crate and that it takes only the pins people give it. She sets out a saucer of salt-pork rind each Friday and has never once been bothered. Her nephew says it is a puppet gone wrong, nothing more, and that the crate was never bread. A drover passing through Ruthmas Ford, who gave no name, says he slept with one beside his boots and woke with every blister on his feet gone and every one transferred, neatly, onto his left hand.

The practical matters are these. It eats nothing a person would call food, but the pork rind vanishes and the saucer is licked bright. It leaves pins, damp patches the size of a thumbprint, and a faint scorched-cloth smell. It is tracked by the pins: where they fall in a line, the doll has passed. I measured the stride between two damp patches on the cellar flags with a length of waxed twine and found it just under four inches, though the doll itself is nine inches from heel to crown, so it does not move like a thing that has legs. At Saint Wennock's Row, no one will pull a pin from the floor with a bare hand. They sweep them into a clay pot with a hearth brush and bury the pot under the doorstep, point down.

One claim I cannot check. Delacroix-Ames insists the doll knows the name of whoever last lied in the house, and that the pins are aimed. I found no way to test this. When I left on the morning coach, the shop window held a row of candles and a clean saucer. On the sill behind them sat a single new pin, still bright, pointing at the road.

Classification
Animate poppet, sewn constructed haunt
Habitat
Back rooms, cellars, windowsills
Danger
Moderate
Size
9 inches, heel to crown
Activity
Nocturnal
Realm
Cottage rooms and market-town shops
Binomial
Pupa spinicola
Diet
Salt pork rind, spilled secrets
Temperament
Patient, watchful, quietly vindictive

Questions about voodoo doll names

What kind of names does a voodoo doll get?

Names for these poppets are short and muffled, built from soft consonants with a sharp pin-like sound or two. They often come from a stitch, a scrap of cloth, or a clipped fragment of a maker's name, and they sound like something muttered at a workbench rather than announced.

Can I choose a style for my doll's name?

Yes. The generator offers clipped nubs, stitch names drawn from the sewing trade, household epithets tied to a room, and long dry names for elder dolls. Each style gives a different feel, from a quick blunt syllable to a slow, worn-down name that suggests many owners.

Are these names suitable for horror games and stories?

They are written for it. The names favor an uncanny, understated tone instead of loud monster titles, so they suit tabletop campaigns, short fiction, Halloween decorations and haunted-house scripts. Pair a plain name with a household epithet for an extra layer of dread.

Can I use the generated names freely?

Yes. You can use any generated name in any creative work, including novels, games, art, films and campaigns, and no attribution is needed. The names are yours to change, combine or rework however the story requires, with no permission or credit owed to anyone.