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Ghast Name Generator

A gaunt gray-green ghast in a tattered burial shroud hauls itself out of an open grave, one hand on a broken slab.
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Stench Packs of Hill Cemeteries

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Nidorax ossivorus

Danger
Size
Nearly 7 ft when it straightens
Activity
Nocturnal

Name generator

Press Generate to draw a name.

Gender
Length

Kindred Arcana

Ghast names and their meanings

Select a name to copy it. Every name below is free to use.

Village Nickname

A blunt, muttered name the living give a ghast after what it ruins or what it smells like.

Grave Epithet

A short name followed by the field, slope or grave where the creature was first marked.

Pack Leader

A longer, heavier name with a title-like second word for the ghast the others follow.

Scratch Name

A name drawn from the marks it leaves on stone, harsh and staccato.

Gully Whisper

A low, wet-sounding name used only after dark by those who live nearest the pack.

How ghast names are made

Ghast names are given by the living, never by the ghasts, who make wet clicks and a dry rasp that no village has written down. The sound palette leans on heavy, closed sounds: g, k, d and b at the front, sibilants and rough aspirates in the middle, and short dull vowels like u and a. Names run one or two syllables, rarely three. The usual structure is a single name, or a name with an epithet that points to the grave or slope where the pack was first marked, or to a trait of the smell.

Sources are practical: a stench, a kind of damage done to a slab, the order in which animals went quiet. A pack leader tends to carry a longer name with a title-like second word, while lesser members get a single clipped syllable. Villagers avoid using the names of the dead buried nearby, since speaking one is thought to invite a ghast to that grave, and they avoid anything gentle or pet-like. Example shapes: a clipped one-syllable growl; a two-syllable name with a grating middle; a short name followed by 'of' and the name of a field or grave.

The ghast: bestiary entry

The mule track up to Rincón Amargo climbs eleven miles through cork oak, and the slope reports on the ghasts before any person does. Below the sixth mile, goats graze the verges bare. Above it the grass stands knee high and untouched around every trunk. The mule I hired at Caldeira Morta stopped twice, sat back on its haunches, and had to be talked forward by its owner in a low, bored voice. At the top, forty-odd graves cover three terraces, every one under a flat slab mortared with lime, and the slabs are scored with grooves as long as a forearm.

The village knows a pack is near by small failures. Milk sours between the udder and the door. Flies leave the stables by evening. Dogs lie flat with their chins in the dirt and cannot be coaxed up. Dalmiro Quintela, who keeps the mule yard, tells every newcomer to breathe through the mouth and stay uphill of the cemetery wall, and he says it without looking up from his boots. The animals themselves are gray, stooped, taller than a man when they straighten, with arms that hang past the knee and jaws hinged too far back. They dig for the buried and eat carrion where they find it. I laid a surveyor's chain downwind from a freshly scored slab and walked it until my eyes stopped streaming: 212 feet, on a still night.

Against them the village does three things. Graves are sealed with lime before the mourners have left the wall. Salt goes across every doorsill. And on the dark of each month a crock of rancid mutton fat is set at the field's edge, which the villagers believe buys the pack's patience for the weeks after. It does the opposite. The fat draws the ghasts up from the gully, the crock gets a few minutes of attention, and the slabs get the rest of the night. The deepest grooves turn up the morning after a crock goes out. The crocks, meanwhile, do not come back. The village is down to its last eleven, and one household still holds a grudge over a blue-glazed one that went out perfectly good.

The exception is the Lobato cellar, a hundred yards below the wall. It has no salt on its sill, no lime on its dead, no crock in its field, and in living memory nothing has been taken from it. The Lobatos wash their cheese rinds in a brine of whey and old wine that smells worse than anything in the gully. The pack comes down the hill, reaches the cellar door, and turns around.

Classification
Undead ghoul-kin, pack carrion-eater
Habitat
Hill cemeteries and cork-oak gullies
Danger
High
Size
Nearly 7 ft when it straightens
Activity
Nocturnal
Realm
Terraced uplands above the coast
Binomial
Nidorax ossivorus
Diet
Buried dead and carrion
Temperament
Patient, foul, pack-minded

Questions about ghast names

What kind of names suit a ghast?

Short, heavy names with closed consonants such as g, k and d suit a ghast best, often paired with an epithet drawn from a grave, a slope or a smell. They should sound like something a frightened village would mutter rather than something a creature would choose for itself. Single clipped syllables work well for lesser pack members.

How are ghast names different from other undead names?

Ghoul-kin names lean on stench, digging and hunger rather than rank or former life. Where a revenant or lich may keep a human name or grand title, a ghast usually carries a nickname given by the living, tied to a place it haunts or a mark it leaves on stone. This generator reflects that, offering village nicknames, grave epithets and pack-leader styles.

Can a ghast have more than one name?

Yes, and often does. Each village that marks a pack tends to name it separately, so one ghast may carry a nickname from the lower gully and a different epithet from the cemetery terraces. Writers can use that overlap to show how far a creature roams or how stories drift between settlements. Pick the style that fits the viewpoint of your narrator.

Can I use these ghast names in my own work?

Yes. Names from this generator may be used freely in any creative work, including novels, tabletop campaigns, games, comics and film, and no attribution is needed. Keep the ones you like, change the spelling to taste, and combine styles if a single name does not sound quite right for your story.