FantasyNames.io

Zombie Name Generator

A gray-green zombie in a torn black burial coat hauls itself over a stone cistern rim at night.
XXXVIII
Slow Dead of Cane Country

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Corpus errans

Danger
Size
5 ft 9 in
Activity
Always

Name generator

Press Generate to draw a name.

Gender
Length

Kindred Arcana

Zombie names and their meanings

Select a name to copy it. Every name below is free to use.

Grave Clip

The first syllable of the buried person's name, cut short and given a flat closing vowel.

Gait Name

A name for how the body moves, such as a dragging heel or a stalled step.

Stopping Place

A name taken from the ditch, cistern or field row where the dead one stood longest.

Silt Name

A name drawn from the clay, ash or mud that coats the body.

Mute Epithet

A single clipped name followed by a plain descriptor of one mark on the body.

How zombie names are made

Names for the walking dead are given by the living, not by the dead, and they follow what can be seen from a distance. The sound palette is low and flat: closed vowels like u and o, short a and e, with heavy stops (b, d, g, t) and nasals (m, n) that can be said without raising the voice. Sibilants are used sparingly, since a hiss carries. Names run one or two syllables, rarely three, and a name that cannot be murmured is dropped. The structure is a single name, with a plain epithet added only where two of the dead share a district: a gait, a stained garment, the spot where one stopped.

Sources are the grave (the first syllable of the burial name, clipped), the body (a dragging heel, a torn sleeve, mismatched eyes) and the ground (a field, a ditch, a cistern). Names avoid the full birth name, the family name and any word for hunger, because families say the dead do not hunger and do not want to be told otherwise. Pet-name endings are avoided too. Rank and age hardly matter, but a body that walks longer than a season loses its clipped syllable and keeps only its epithet. Example shapes: a clipped syllable plus a flat vowel; a gait word ending in a stop; a place word followed by a muted nasal.

The zombie: bestiary entry

A zombie is a dead adult that walks, and the one I followed down the terraces above Ouro Fundo covered 340 yards in an hour without once speeding up or slowing. Its right heel drags. I measured the furrow it leaves in wet silt by laying a yard of cut cane beside each print, and the prints fall thirty inches apart. It eats nothing, though it mouths roots and loose soil as it goes. Three people who live below those terraces describe it three ways, and I give them in the order I met them.

Lourdes Amaral cuts cane on the lower slope and says it listens. After dusk her crew hums with their mouths shut, because a spoken word turns its head, and nobody on that road greets anyone aloud once the light goes. They touch a hat brim and pass. She has watched one stand at the end of a cane row through an entire shift because a boy called out the name of his dog, and she has never let the boy forget it.

Leandro Cortês, a cooper in Cascalheira, says it wants water and has no use for sound. He builds cistern lids now, oak two inches thick and banded in iron, and it takes two men to lift one. The dead walk into open cisterns and stand upright beneath the surface, and a household learns of it by the taste. Half his orders come from families that lost one well and will not lose a second. Before the walking began, he says, he made only barrels.

Lucinda Prado buried her brother in spring and found him on the third night at the foot of the family plot, in the black wool coat he was buried in, the left sleeve torn to the shoulder. His eyes were not alike. The left was clouded white. The right was black and open, and it did not blink. His right hand was shut around a fistful of roots and would not open. He stood eleven minutes while she talked, then went on downhill. She says it follows only the slope. Fine gray silt sheds from its clothes along the route, and families track a missing relative by it. On my own night the zombie turned toward the cutters' humming, went on, and at the Cortês yard climbed the rim of the one cistern still without a lid as though the stones were a stair. The ring of silt it left on the inside wall stood forty-one inches above the floor.

Classification
Reanimated human corpse
Habitat
Cane terraces, ditches, open cisterns
Danger
Moderate
Size
5 ft 9 in, human height
Activity
Always
Realm
Lowland cane country
Binomial
Corpus errans
Diet
None; mouths roots and soil
Temperament
Patient, blank, drawn downhill

Questions about zombie names

How are zombie names usually formed?

Zombie names here come from what the living notice: a clipped first syllable of the buried person's name, the way the body moves, or the place where it stopped. They run short, usually one or two syllables, with flat vowels and heavy consonants, and they are spoken quietly, since the dead are said to turn toward voices.

Should a zombie name sound frightening?

Not always. Locals tend to choose plain, almost tender names, because a plain name keeps the thing familiar enough to live beside. A fearsome name draws attention, and attention is what field workers avoid after dark. For a campaign, use the plain shape for a village horror and the harsher one for a stranger.

Can I use these names in my own work?

Yes. Names from this generator can be used freely in any creative work, including novels, games, tabletop campaigns, comics and film. No attribution is needed, and you do not have to ask permission. Change spellings, combine halves from different styles, or give one name to a whole crowd of the dead.

Do zombies in the guide have single names?

Mostly, yes. A walking dead person is given one name by the people who live nearest, and a second word is added only when two of them are known in the same district. That second word is usually the place they stood or a mark on the body, such as a dragging heel or a torn sleeve.